It's a chamber-piece meets noir detective thriller that, along with Eli Roth's Hostel, became the progenitor of the torture porn craze. Jigsaw gives each of them pieces of the puzzle, turning them against each other despite their bet efforts to collaborate on an escape strategy.
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The film's main action is set against two unlikely allies, chained together in a room with scant clues on how to escape. Jigsaw's essential credo is that if one doesn't value life enough to do whatever it takes to survive, then they are undeserving of it.
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Setting his sights on victim's who take their life for granted, Jigsaw constructs a series of puzzles and challenges designed to test the victim's grit and will to live.
James Wan and Leigh Whannell's nasty little puzzle box introduced one of the most iconic modern horror villains in Tobin Bell's Jigsaw, a murderer of ideals and dastardly creativity. Home invasion and survival horror also became particularly prominent genres in an era where audiences and filmmakers seemed to grapple with the fact that the scariest part of the human experience is the humans.Īs I said before, it was a pretty spectacularly abundant decade for horror and there's a ridiculous wealth of movies I love that didn't find a spot on this list, so here's a rather lengthy list of honorable mentions: Paranormal Activity, Calvaire, The Signal, Stuck, Frontier(s), All the Boys Love Mandy Lane, Marebito, Suicide Club, Them, Versus, The Children, Silent Hill, The Cottage, Exte, The Ruins, Ju-On: The Grudge, Bug, Wolf Creek, Teeth, Hostel, 30 Days of Night, Sauna, Slither, Frailty, Severence, and to be honest, probably a few more that I'm forgetting.Īnd now, without further ado, check out the 40 best horror films of the 2000s.ĭespite the reputation it earned as shock-factor torture porn thanks to the increasingly reductive format of the sequels, Saw is essentially a horror-grown thriller with hints of outright violence and shockingly little gore. And of course, the early aughts were the era of "torture porn", the much-maligned genre that focused on carnage and mutilation over narrative. Thanks to the rampant success of Paranormal Activity, the found-footage subgenre became the order of the hour for low-cost thrills, a format that was notoriously grating in the hands of the wrong filmmaker, but offered plenty of opportunities for inventive perspective for others. Slasher films were out, but the impending zombie craze was in its nascent stages.
Stateside, a number of trends also swept through the genre. In French-language cinema, the sadistic hyper-violent stylings of the French New Wave swept through the horror community like a brash, invigorating force, while a string of Spanish-language filmmakers turned to the old-fashioned chills of lowkey, character-driven ghost stories. Riding off the late '90s rise of J-Horror, Asian cinema emerged at the forefront of genre filmmaking with a consistent string of eerie supernatural chillers - a trend that unfortunately led to the string of derivative American remakes that had half the heart and none of the edge of their predecessors. At the same time, a number of international trends were sweeping the genre, with inventive emergent subgenres popping up the world over.